Here, setting out alone,
feet heavy in the clay,
travel seems a blind cacophony
replete with ancient allegories.
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Making Place is a poetic exploration of place, and place making, for one or two performers and live interactive processing of animation, text and audio. It can be performed by any instrument capable of realising a version of the semi-improvisatory score.
Last tested, May 2017. Please note that the app required for this work is no longer updated and will not work on newer OSX (> 10.9). I’ve reached the point where it’s too hard to keep doing major recoding. Code is archived (was originally made in Openframeworks/pd and ran as a Mac app).
As of 2016 the performer uses the score in conjunction with a mac app (OSX) that can be preloaded with the performer’s choice of field recordings and images. You are encouraged to incorporate your own images and recorded sounds.There are currently score versions for piano solo, piano duo, violin solo, violin and ‘cello, and ‘cello solo, but almost any pitched instrument could interpret the score.
Making Place was commissioned by Kate Halsall with funds from the Arts Council of England and the Britten Pears Foundation. First performance, Sonorities festival, Belfast, April 2013 (one piano version).Other performances Falmouth University, Cornwall, May 2013 (two pianos – Kate Halsall, Fumiko Miyachi), Huddersfield Contemporary Music Festival (Kate Halsall), New York City Electroacoustic Music Festival 2015 (violin, Maja Cerar), International Computer Music Conference Athens, ZKM Karlsruhe (piano, Sebastian Berweck), Mannes College, New School NYC (piano, Daniel Schreiner).